Szegénylegények

1966 ·Miklós Jancsó ·Hungary

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Directed by Miklós Jancsó, the film established his international reputation and became the work most closely associated with his name outside Hungary. Although set in the aftermath of the 1848 revolt, many critics interpreted the film as a broader commentary on modern political repression, state surveillance, and authoritarian control. Its striking visual style, featuring long takes and the vast, empty Hungarian plains, reinforces the prisoners' sense of exposure and isolation, making escape—both physical and psychological—seem impossible. As one of the defining films of the Hungarian New Wave, The Round-Up (Szegénylegények) played a major role in introducing Hungarian cinema to international audiences and film festivals during the 1960s. It follows a group of suspected rebels, former fighters, and ordinary peasants who are imprisoned in a remote Hungarian detention camp years after the failed 1848 Hungarian uprising. The authorities are searching for the remaining followers of the outlaw Sándor Rózsa, but lacking clear evidence, they resort to intimidation, manipulation, and psychological pressure to force prisoners into betraying one another. As trust erodes and fear spreads throughout the camp, the film becomes a powerful exploration of authority, surveillance, and the struggle to survive under an oppressive regime.

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